Wang Xiaofei Collapses and Kneels in the Rain After the Death of His Ex-Wife, Barbie Hsu!!
Netizens Mock: “Next Year’s Oscar Winner for Best Actor Has Been Revealed.”
Recently, Chinese social media has been abuzz with images of Wang Xiaofei kneeling in the pouring rain after walking home from the airport. The businessman’s dramatic display led netizens to mock him, calling him a strong contender for next year’s Best Actor Oscar.
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In the widely circulated photo, Wang Xiaofei is seen on his knees in the heavy rain, supposedly expressing his deep sorrow and love for his ex-wife, Barbie Hsu.
The scene sparked a wave of ridicule from netizens: “The Best Actor has finally been revealed!” Some sarcastic comments went further, saying, “Congratulations to Wang Xiaofei for securing an Oscar nomination with his two masterpieces—Kneeling in the Rain and Cursing Mother Zhang Lan!”
Many netizens doubted the sincerity of his emotions. Some mocked that he was “putting on a performance for the world, while also trying to convince himself.” Others joked that if his spicy noodle business ever fails, he could easily transition into a professional acting career.
One highly liked comment read: “He expresses his love and longing for Da S so brilliantly! Even if no one else believes it, he himself is fully convinced. When the spicy noodles stop selling, maybe he should seriously consider an acting career!”
Amid the mockery, some neutral opinions suggested that Wang Xiaofei might genuinely love Barbie Hsu but is emotionally immature, impulsive, and unable to control his feelings. He has been described as a “big child” whose rash actions often lack maturity.
Others pointed out that while Wang Xiaofei claims to love his ex-wife, he has not shown the same level of responsibility toward his own mother. His reckless and impulsive behavior might even stem from deeper psychological issues.
Regardless of the truth behind the situation, the viral images have become a hot topic on social media. Both Wang Xiaofei and Zhang Lan are now at the center of public ridicule, with their “performances” seen as beyond imagination.
